should not be overlooked. It is alongside the Cazin.

While almost all the pictures referred to so far are of the French
school, there are three pictures of the older German school - two
Lenbachs, one a very accurately drawn portrait of the German philosopher
Mommsen, and the other a portrait of himself. They show this powerful
artist in two different aspects. While the Mommsen is one of his later,
broader pictures, the portrait of himself is of an earlier date, showing
the artist as the serious student he has always been. Adolph Schreyer,
another German, with his Bedouin pictures, was the pet of the art lovers
in his day, and pictures like this can be found in almost every
collection in the world.

The miscellaneous sculpture in this gallery is full of interest and
gives one a good suggestion of the great mass of small modern sculpture
found throughout the galleries. Mora's Indian figures are particularly
interesting from their originality of theme. Mora tries hard to be
unconventional, without going into the bizarre, and succeeds very well.

Gallery 61.

The difference of appearance in the four older galleries discussed and
the one now visited is so marked as to lead one to believe that our
investigations have not been conducted in the proper chronological
order. All the art of the world, up to and including the Barbizon
school, is characterized by a predominant brown colour which, on account
of its warmth, is never disagreeable, although sometimes monotonous. The
daring of the Englishman Constable in painting a landscape outdoors led
to the development of a new point of view, which the older artists did
not welcome. Constable and the men of the Barbizon school realized for