Frederick Chopin, as a Man and Musician — Volume 1 by Frederick Niecks
page 26 of 465 (05%)
page 26 of 465 (05%)
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Parisians, who were certainly accustomed to exhibitions of this
kind. The mere description of some of them is enough to dazzle one--the superb horses with their bridles and stirrups of massive silver, and their caparisons and saddles embroidered with golden flowers; and the not less superb men with their rich garments of satin or gold cloth, adorned with rare furs, their bonnets surmounted by bright plumes, and their weapons of artistic workmanship, the silver scabbards inlaid with rubies. We hear also of ambassadors riding through towns on horses loosely shod with gold or silver, so that the horse-shoes lost on their passage might testify to their wealth and grandeur. I shall quote some lines from a Polish poem in which the author describes in detail the costume of an eminent nobleman in the early part of this century:-- He was clad in the uniform of the palatinate: a doublet embroidered with gold, an overcoat of Tours silk ornamented with fringes, a belt of brocade from which hung a sword with a hilt of morocco. At his neck glittered a clasp with diamonds. His square white cap was surmounted by a magnificent plume, composed of tufts of herons' feathers. It is only on festive occasions that such a rich bouquet, of which each feather costs a ducat, is put on. The belt above mentioned was one of the most essential parts and the chief ornament of the old Polish national dress, and those manufactured at Sluck had especially a high reputation. A description of a belt of Sluck, "with thick fringes like tufts," glows on another page of the poem from which I took my last quotation:-- |
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