He found an empty church. The townsfolk, devout though they
were, had all gone down to the quay to watch the embarkation of
the troops. He felt glad to be the only man there. He tramped
noisily up the nave, clanking his spurs till the vaulted roof
rang with the sound; he coughed, he talked aloud to himself to
let the nuns know, and more particularly to let the organist know
that if the troops were gone, one Frenchman was left behind. Was
this singular warning heard and understood? He thought so. It
seemed to him that in the _Magnificat_ the organ made response
which was borne to him on the vibrating air. The nun's spirit
found wings in music and fled towards him, throbbing with the
rhythmical pulse of the sounds. Then, in all its might, the
music burst forth and filled the church with warmth. The Song of
Joy set apart in the sublime liturgy of Latin Christianity to
express the exaltation of the soul in the presence of the glory
of the ever-living God, became the utterance of a heart almost
terrified by its gladness in the presence of the glory of a
mortal love; a love that yet lived, a love that had risen to
trouble her even beyond the grave in which the nun is laid, that
she may rise again as the bride of Christ.

The organ is in truth the grandest, the most daring, the most
magnificent of all instruments invented by human genius. It is a
whole orchestra in itself. It can express anything in response
to a skilled touch. Surely it is in some sort a pedestal on
which the soul poises for a flight forth into space, essaying on
her course to draw picture after picture in an endless series, to
paint human life, to cross the Infinite that separates heaven
from earth? And the longer a dreamer listens to those giant
harmonies, the better he realizes that nothing save this