have the satisfaction of being able to assure you that he is
considerably the dullest of the three.

There is this particular advantage in an acquaintance with any one of
the Peter Bells, that if you know one Peter Bell, you know three Peter
Bells; they are not one, but three; not three, but one. An awful
mystery, which, after having caused torrents of blood, and having been
hymned by groans enough to deafen the music of the spheres, is at length
illustrated to the satisfaction of all parties in the theological world,
by the nature of Mr. Peter Bell.

Peter is a polyhedric Peter, or a Peter with many sides. He changes
colours like a chameleon, and his coat like a snake. He is a Proteus of
a Peter. He was at first sublime, pathetic, impressive, profound; then
dull; then prosy and dull; and now dull--oh so very dull! it is an
ultra-legitimate dulness.

You will perceive that it is not necessary to consider Hell and the
Devil as supernatural machinery. The whole scene of my epic is in 'this
world which is'--so Peter informed us before his conversion to "White
Obi"--

'The world of all of us, AND WHERE
WE FIND OUR HAPPINESS, OR NOT AT ALL.'

Let me observe that I have spent six or seven days in composing this
sublime piece; the orb of my moonlike genius has made the fourth part of
its revolution round the dull earth which you inhabit, driving you mad,
while it has retained its calmness and its splendour, and I have been
fitting this its last phase 'to occupy a permanent station in the