A Treatise Concerning the Principles of Human Knowledge by George Berkeley
page 55 of 112 (49%)
page 55 of 112 (49%)
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that a contradiction was involved in those words. But, philosophers
having plainly seen that the immediate objects of perception do not exist without the mind, THEY IN SOME DEGREE CORRECTED the mistake of the vulgar; but at the same time run into another which seems no less absurd, to wit, that there are certain objects really existing without the mind, or having a subsistence distinct from being perceived, OF WHICH OUR IDEAS ARE ONLY IMAGES or resemblances, imprinted by those objects on the mind. And this notion of the philosophers owes its origin to the same cause with the former, namely, their being conscious that they were not the authors of their own sensations, which they evidently knew were imprinted from without, and which therefore must have some cause distinct from the minds on which they are imprinted. 57. BUT WHY THEY SHOULD SUPPOSE THE IDEAS OF SENSE TO BE EXCITED IN US BY THINGS IN THEIR LIKENESS, and not rather have recourse to SPIRIT which alone can act, may be accounted for, FIRST, because they were not aware of the repugnancy there is, (1) as well in supposing things like unto our ideas existing without, as in (2) attributing to them POWER OR ACTIVITY. SECONDLY, because the Supreme Spirit which excites those ideas in our minds, is not marked out and limited to our view by any particular finite collection of sensible ideas, as human agents are by their size, complexion, limbs, and motions. And thirdly, because His operations are regular and uniform. Whenever the course of nature is interrupted by a miracle, men are ready to own the presence of a superior agent. But, when we see things go on in the ordinary course they do not excite in us any reflexion; their order and concatenation, though it be an argument of the greatest wisdom, power, and goodness in their creator, is yet so constant and familiar to us that we do not think them the immediate effects of a Free Spirit; especially since inconsistency and mutability in acting, though it be an imperfection, is looked on as a mark of freedom. |
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