in two volumes, called "Morton's Hope." He had little reason to be
gratified with its reception. The general verdict was not favorable to
it, and the leading critical journal of America, not usually harsh or
cynical in its treatment of native authorship, did not even give it a
place among its "Critical Notices," but dropped a small-print
extinguisher upon it in one of the pages of its "List of New
Publications." Nothing could be more utterly disheartening than the
unqualified condemnation passed upon the story. At the same time the
critic says that "no one can read 'Morton's Hope' without perceiving it
to have been written by a person of uncommon resources of mind and
scholarship."

It must be confessed that, as a story, "Morton's Hope" cannot endure a
searching or even a moderately careful criticism. It is wanting in
cohesion, in character, even in a proper regard to circumstances of time
and place; it is a map of dissected incidents which has been flung out of
its box and has arranged itself without the least regard to chronology or
geography. It is not difficult to trace in it many of the influences
which had helped in forming or deforming the mind of the young man of
twenty-five, not yet come into possession of his full inheritance of the
slowly ripening qualities which were yet to assert their robust
independence. How could he help admiring Byron and falling into more or
less unconscious imitation of his moods if not of his special
affectations? Passion showing itself off against a dark foil of
cynicism; sentiment, ashamed of its own self-betrayal, and sneering at
itself from time to time for fear of the laugh of the world at its
sincerity,--how many young men were spoiled and how many more injured by
becoming bad copies of a bad ideal! The blood of Don Juan ran in the
veins of Vivian Grey and of Pelham. But if we read the fantastic dreams
of Disraeli, the intellectual dandyisms of Bulwer, remembering the after