picture, but it betrayed the hand of a master. The feeling of many was
that expressed in the words of Mr. Longfellow in his review of the
"Twice-Told Tales" of the unknown young writer, Nathaniel Hawthorne:
"When a new star rises in the heavens, people gaze after it for a season
with the naked eye, and with such telescopes as they may find. . . .
This star is but newly risen; and erelong the observation of numerous
star-gazers, perched up on arm-chairs and editor's tables, will inform
the world of its magnitude and its place in the heaven of"--not poetry in
this instance, but that serene and unclouded region of the firmament
where shine unchanging the names of Herodotus and Thucydides. Those who
had always believed in their brilliant schoolmate and friend at last felt
themselves justified in their faith. The artist that sent this unframed
picture to be hung in a corner of the literary gallery was equal to
larger tasks. There was but one voice in the circle that surrounded the
young essayist. He must redeem his pledge, he can and will redeem it, if
he will only follow the bent of his genius and grapple with the heroic
labor of writing a great history.

And this was the achievement he was already meditating.

In the mean time he was studying history for its facts and principles,
and fiction for its scenery and portraits. In "The North American
Review" for July, 1847, is a long and characteristic article on Balzac,
of whom he was an admirer, but with no blind worship. The readers of
this great story-teller, who was so long in obtaining recognition, who
"made twenty assaults upon fame and had forty books killed under him"
before he achieved success, will find his genius fully appreciated and
fairly weighed in this discriminating essay. A few brief extracts will
show its quality.