It is not very difficult to reconcile these two portraitures. I recollect
it was said by a witty lady of a handsome clergyman well remembered among
us, that he had dressy eyes. Motley so well became everything he wore,
that if he had sprung from his bed and slipped his clothes on at an alarm
of fire, his costume would have looked like a prince's undress. His
natural presentment, like that of Count D'Orsay, was of the kind which
suggests the intentional effects of an elaborate toilet, no matter how
little thought or care may have been given to make it effective. I think
the "passion for dress" was really only a seeming, and that he often
excited admiration when he had not taken half the pains to adorn himself
that many a youth less favored by nature has wasted upon his unblest
exterior only to be laughed at.

I gather some other interesting facts from a letter which I have received
from his early playmate and school and college classmate, Mr. T. G.
Appleton.

"In his Sophomore year he kept abreast of the prescribed studies,
but his heart was out of bounds, as it often had been at Round Hill
when chasing squirrels or rabbits through forbidden forests.
Already his historical interest was shaping his life. A tutor
coming-by chance, let us hope--to his room remonstrated with him
upon the heaps of novels upon his table.

"'Yes,' said Motley, 'I am reading historically, and have come to the
novels of the nineteenth century. Taken in the lump, they are very hard
reading.'"

All Old Cambridge people know the Brattle House, with its gambrel roof,
its tall trees, its perennial spring, its legendary fame of good fare and