I have been more willing to give room to this description of Rubens's
pictures and the effect they produced upon Motley, because there is a
certain affinity between those sumptuous and glowing works of art and the
prose pictures of the historian who so admired them. He was himself a
colorist in language, and called up the image of a great personage or a
splendid pageant of the past with the same affluence, the same rich
vitality, that floods and warms the vast areas of canvas over which the
full-fed genius of Rubens disported itself in the luxury of imaginative
creation.




XI.

1856-1857. AEt. 42-43.

PUBLICATION OF HIS FIRST HISTORICAL WORK, "RISE OF THE DUTCH REPUBLIC."
--ITS RECEPTION.--CRITICAL NOTICES.

The labor of ten years was at last finished. Carrying his formidable
manuscript with him,--and how formidable the manuscript which melts down
into three solid octavo volumes is, only writers and publishers know,--he
knocked at the gate of that terrible fortress from which Lintot and Curll
and Tonson looked down on the authors of an older generation. So large a
work as the "History of the Rise of the Dutch Republic," offered for the
press by an author as yet unknown to the British public, could hardly
expect a warm welcome from the great dealers in literature as
merchandise. Mr. Murray civilly declined the manuscript which was offered
to him, and it was published at its author's expense by Mr. John Chapman.