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A Tale of a Tub by Jonathan Swift
page 27 of 157 (17%)
To this end the philosopher's way in all ages has been by erecting
certain edifices in the air; but whatever practice and reputation
these kind of structures have formerly possessed, or may still
continue in, not excepting even that of Socrates when he was
suspended in a basket to help contemplation, I think, with due
submission, they seem to labour under two inconveniences. First,
that the foundations being laid too high, they have been often out
of sight and ever out of hearing. Secondly, that the materials
being very transitory, have suffered much from inclemencies of air,
especially in these north-west regions.

Therefore, towards the just performance of this great work there
remain but three methods that I can think on; whereof the wisdom of
our ancestors being highly sensible, has, to encourage all aspiring
adventures, thought fit to erect three wooden machines for the use
of those orators who desire to talk much without interruption.
These are the Pulpit, the Ladder, and the Stage-itinerant. For as
to the Bar, though it be compounded of the same matter and designed
for the same use, it cannot, however, be well allowed the honour of
a fourth, by reason of its level or inferior situation exposing it
to perpetual interruption from collaterals. Neither can the Bench
itself, though raised to a proper eminency, put in a better claim,
whatever its advocates insist on. For if they please to look into
the original design of its erection, and the circumstances or
adjuncts subservient to that design, they will soon acknowledge the
present practice exactly correspondent to the primitive institution,
and both to answer the etymology of the name, which in the
Phoenician tongue is a word of great signification, importing, if
literally interpreted, "The place of sleep," but in common
acceptation, "A seat well bolstered and cushioned, for the repose of
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