A Tale of a Tub by Jonathan Swift
page 52 of 157 (33%)
page 52 of 157 (33%)
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way; not that he is curious to observe the colour and complexion of
the ordure or take its dimensions, much less to be paddling in or tasting it, but only with a design to come out as cleanly as he may. These men seem, though very erroneously, to have understood the appellation of critic in a literal sense; that one principal part of his office was to praise and acquit, and that a critic who sets up to read only for an occasion of censure and reproof is a creature as barbarous as a judge who should take up a resolution to hang all men that came before him upon a trial. Again, by the word critic have been meant the restorers of ancient learning from the worms, and graves, and dust of manuscripts. Now the races of these two have been for some ages utterly extinct, and besides to discourse any further of them would not be at all to my purpose. The third and noblest sort is that of the true critic, whose original is the most ancient of all. Every true critic is a hero born, descending in a direct line from a celestial stem, by Momus and Hybris, who begat Zoilus, who begat Tigellius, who begat Etcaetera the elder, who begat Bentley, and Rymer, and Wotton, and Perrault, and Dennis, who begat Etcaetera the younger. And these are the critics from whom the commonwealth of learning has in all ages received such immense benefits, that the gratitude of their admirers placed their origin in heaven, among those of Hercules, Theseus, Perseus, and other great deservers of mankind. But heroic virtue itself hath not been exempt from the obloquy of evil tongues. For it hath been objected that those ancient heroes, |
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