How to Tell Stories to Children, And Some Stories to Tell by Sara Cone Bryant
page 95 of 209 (45%)
page 95 of 209 (45%)
![]() | ![]() |
|
|
I have since wished that every city primary teacher could have visited
with me the first-grade room in Providence where the pupils were German, Russian, or Polish Jews, and where some of them had heard no English previous to that year,--it being then May. The joy that shone on their faces was nothing less than radiance when the low-voiced teacher said, "Would you like to tell these ladies some of your stories?" They told us their stories, and there was truly not one told poorly or inexpressively; all the children had learned something of the joy of creative effort. But one little fellow stands out in my memory beyond all the rest, yet as a type of all the rest. Rudolph was very small, and square, and merry of eye; life was one eagerness and expectancy to him. He knew no English beyond that of one school year. But he stood staunchly in his place and told me the story of the Little Half Chick with an abandon and bodily emphasis which left no doubt of his sympathetic understanding of every word. The depth of moral reproach in his tone was quite beyond description when he said, "Little Half Chick, little Half Chick, when _I_ was in trubbul you wouldn't help _me_!" He heartily relished that repetition, and became more dramatic each time. Through it all, in the tones of the tender little voice, the sidewise pose of the neat dark head, and the occasional use of a chubby pointing finger, one could trace a vague reflection of the teacher's manner. It was not strong enough to dominate at all over the child's personality, but it was strong enough to suggest possibilities. In different rooms, I was told _The Half Chick_, _The Little Red Hen_, _The Three Bears_, _The Red-Headed Woodpecker_, _The Fox and the Grapes_, |
|


