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The Hohenzollerns in America by Stephen Leacock
page 28 of 224 (12%)
have special things because he doesn't use little brushes
and tubes of colour as ordinary artists do, but had a
big brush and his paint in a tin can, so that he can work
more quickly. Fortunately we have with us three of Uncle's
pictures rolled up in the bottom of our boxes. He is
going to sell these first and after that he says that he
will paint one or two every day. One of the three canvasses
that we have is an allegorical picture called "Progress"
in which Progress is seen coming out of a cloud in the
background with Uncle William standing in the foreground.
Another is called "Modern Science" and in this Science
is seen crouched in the dark in the background and Uncle
William standing in the light in the foreground. The
other is called "Midnight in the Black Forest." Uncle
William did it in five minutes with a pot of black paint.
They say it is impressionistic.

So all the evening Uncle William and Uncle Henry talked
about the new plan. It is wonderful how Uncle William
enters into a thing. He got me to fetch him his old blue
blouse, which was with the painting things, and he put
it on over his clothes and walked up and down the room
with a long paint-brush in his hand. "We painters, my
dear Henry," he said, "must not be proud. America needs
Art. Very good. She shall have it."

I could see, of course, that Uncle William did not like
the idea of selling pictures for money. But he is going
to make that side of it less objectionable by painting
a picture, a very large picture, for nothing and giving
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