window said "Mme. Claire, Palmist," and another "Violin Lessons"; one
basement was occupied by a dealer in plaster statuary, and another by a
little restaurant. Most interesting of all to the stageloving Emeline
was the second floor, obliquely opposite her own, which bore an immense
sign, "Gottoli, Wigs and Theatrical Supplies. Costumes of all sorts
Designed and on Hand." Between Gottoli's windows were two painted panels
representing respectively a very angular, moustached young man in a
dress suit, and a girl in a Spanish dancer's costume, with a tambourine.
Gottoli did not do a very flourishing business, but Emeline watched his
doorway by the hour, and if ever her dreams came back now, it was at
these times.

To-night Julia went to sleep in her arms; she was an unexacting little
girl, accustomed to being ignored much of the time, and humoured,
over-indulged, and laughed at at long intervals. Emeline sat on and on,
crying now and then, and gradually reducing herself to a more softened
mood, when she longed to be dear to George again, to please and content
him. She had just made up her mind that this was no neighbourhood for
ideal home life, when George, smelling strongly of whiskey, but
affectionate and repentant, came in.

"What doing?" asked George, stumbling in the dark room.

"Just watching the cable cars go up and down," Emeline said, rousing.
She set the dazed Julia on her feet, and groped for matches on the
mantel. A second later the stifling odour of block matches drifted
through the room, and Emeline lighted a gas jet.

"Had your supper?" said she, as George sat down and took the child into
his arms.