Mademoiselle Fifi by Guy de Maupassant
page 3 of 81 (03%)
page 3 of 81 (03%)
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his only recreation was canoeing on the Seine on Sundays and holidays.
Gustave Flaubert took him under his protection and acted as a kind of literary guardian to him, guiding his debut in journalism and literature. At Flaubert's home he befriended the Russian novelist Tourgueneff and Emilie Zola, as well as many of the protagonists of the realistic school. He wrote considerable verse and short plays. In 1878 he was transferred to the Ministry of Public Instruction and became a contributing editor to several leading newspapers such as Le Figaro, le Gil Blas, le Gaulois and l'Echo de Paris. He devoted his spare time to writing novels and short stories. In 1880 he published his first masterpiece, "Boule de Suif", which met with an instant and tremendous success. Flaubert characterized it as "a masterpiece that will remain." The decade from 1880 to 1891 was the most fertile period of Maupassant's life. Made famous by his first short story, he worked methodically and produced two and sometimes four volumes annually. By a privilege of nature and his Norman origin, he combined talent and practical business sense, which brought him affluence and wealth. In 1881 he published his first volume of short stories under the title of "La Maison Tellier"; it reached its twelfth edition in two years; in 1883 he finished his first novel "Une Vie", twenty-five thousand copies of which were sold in less than a year. Glory and Fortune smiled on him. In his novels, he concentrated all his observations scattered in his short stories. His second novel "Bel Ami", which came out in 1885, had thirty-seven editions in four months. His editor, Havard, commissioned him to write new masterpieces and, without the slightest effort, his pen produced new masterpieces of style, description, conception and penetration[*]. With a natural aversion for Society, he loved retirement, solitude |
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