In the Bishop's Carriage by Miriam Michelson
page 120 of 238 (50%)
page 120 of 238 (50%)
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of the family, even if it's only a family of two and the other
one Mag! Look at me, with my name in the directory, a-paying milk bills and meat bills and bread bills! Look at me with a place of my own, where nobody's right's greater than my own; where no one has a right but me and Mag; a place where--where there's nothing to hide from the police!" There's the rub, Mag, as Hamlet says--(I went to see it the other night, so that I could take off the Ophelia--she used to be a good mimic herself, before she tried to be a leading lady.) It spoils you, this sense of safeness that goes with the honesty graft. You lose the quickness of the hunter and the nerve of the hunted. And--worse--you lose your taste for the old risky life. You grow proud and fat, and you love every stick in the dear, quiet little place that's your home--your own home. You love it so that you'd be ashamed to sneak round where it could see you--you who'd always walked upright before it with the step of the mistress; with nothing in the world to be ashamed of; nothing to prevent your staring each honest dish-pan in the face! 1> And, Mag, you try--if you're me--to fit Tom Dorgan in here--Tom Dorgan in stripes and savage sulks still--all these months--kept away from the world, even the world behind bars! Maggie, don't you wish Tom was a ventriloquist or--or an acrobat or--but this isn't what I had to tell you. Do you know what a society entertainer is, Miss Monahan? No? Well, look at me. Yes, I'm one. Miss Nance Olden, whose services are worth fifty dollars a night--at least, they were one night. |
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