Netherlands. Although a severe criticism might regret to find in these
particular productions of the great Germanic school a development of that
practical tendency which distinguished the Batavian and Flemish
branches,--although it might recognize a departure from that mystic
principle which, in its efforts to symbolize the strivings of humanity
towards the infinite object of worship above, had somewhat disregarded
the wants of the worshippers below,--although the spaces might be too
wide and the intercolumniations too empty, except for the convenience
of congregations; yet there were, nevertheless, many ecclesiastical
masterpieces, which could be regarded as very brilliant manifestations
of the Batavian and Belgic mind during the thirteenth and fourteenth
centuries. Many were filled with paintings from a school which had
precedence in time and merit over its sister nurseries of art in Germany.
All were peopled with statues. All were filled with profusely-adorned
chapels, for the churches had been enriched generation after generation
by wealthy penitence, which had thus purchased absolution for crime and
smoothed a pathway to heaven.

And now, for the space of only six or seven summer days and nights, there
raged a storm by which all these treasures were destroyed. Nearly every
one of these temples was entirely rifled of its contents; not for the
purpose of plunder, but of destruction. Hardly a province or a town
escaped. Art must forever weep over this bereavement; Humanity must
regret that the reforming is thus always ready to degenerate into the
destructive principle; but it is impossible to censure very severely the
spirit which prompted the brutal, but not ferocious deed. Those statues,
associated as they were with the remorseless persecution which had so
long desolated the provinces, had ceased to be images. They had grown
human and hateful, so that the people arose and devoted them to
indiscriminate massacre.