Rise of the Dutch Republic, the — Complete (1555-66) by John Lothrop Motley
page 108 of 325 (33%)
page 108 of 325 (33%)
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From the amusements of a people may be gathered much that is necessary for a proper estimation of its character. No unfavorable opinion can be formed as to the culture of a nation, whose weavers, smiths, gardeners, and traders, found the favorite amusement of their holidays in composing and enacting tragedies or farces, reciting their own verses, or in personifying moral and esthetic sentiments by ingeniously-arranged groups, or gorgeous habiliments. The cramoisy velvets and yellow satin doublets of the court, the gold-brocaded mantles of priests and princes are often but vulgar drapery of little historic worth. Such costumes thrown around the swart figures of hard-working artisans, for literary and artistic purposes, have a real significance, and are worthy of a closer examination. Were not these amusements of the Netherlanders as elevated and humanizing as the contemporary bull-fights and autos-da-fe of Spain? What place in history does the gloomy bigot merit who, for the love of Christ, converted all these gay cities into shambles, and changed the glittering processions of their Land jewels into fettered marches to the scaffold? Thus fifteen ages have passed away, and in the place of a horde of savages, living among swamps and thickets, swarm three millions of people, the most industrious, the most prosperous, perhaps the most intelligent under the sun. Their cattle, grazing on the bottom of the sea, are the finest in Europe, their agricultural products of more exchangeable value than if nature had made their land to overflow with wine and oil. Their navigators are the boldest, their mercantile marine the most powerful, their merchants the most enterprising in the world. Holland and Flanders, peopled by one race, vie with each other in the pursuits of civilization. The Flemish skill in the mechanical and in the fine arts is unrivalled. Belgian musicians delight and instruct other |
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