Van Eyck, were attracted by his generosity to Bruges, where they painted
many pictures. John was even a member of the duke's council. The art of
oil-painting was carried to great perfection by Hubert's scholar, John of
Bruges. An incredible number of painters, of greater or less merit,
flourished at this epoch in the Netherlands, heralds of that great
school, which, at a subsequent period, was to astonish the world with
brilliant colors; profound science, startling effects, and vigorous
reproductions of Nature. Authors, too, like Olivier de la Marche and
Philippe de Comines, who, in the words of the latter, "wrote, not for the
amusement of brutes, and people of low degree, but for princes and other
persons of quality," these and other writers, with aims as lofty,
flourished at the court of Burgundy, and were rewarded by the Duke with
princely generosity. Philip remodelled and befriended the university of
Louvain. He founded at Brussels the Burgundian library, which became
celebrated throughout Europe. He levied largely, spent profusely, but was
yet so thrifty a housekeeper, as to leave four hundred thousand crowns of
gold, a vast amount in those days, besides three million marks' worth of
plate and furniture, to be wasted like water in the insane career of his
son.

The exploits of that son require but few words of illustration. Hardly a
chapter of European history or romance is more familiar to the world than
the one which records the meteoric course of Charles the Bold. The
propriety of his title was never doubtful. No prince was ever bolder, but
it is certain that no quality could be less desirable, at that particular
moment in the history of his house. It was not the quality to confirm a
usurping family in its ill-gotten possessions. Renewed aggressions upon
the rights of others justified retaliation and invited attack. Justice,
prudence, firmness, wisdom of internal administration were desirable in
the son of Philip and the rival of Louis. These attributes the gladiator