account of having slept ill the night before. Champagny; who was one of,
the chief mischief-makers, had been banished by Parma to his house in
Burgundy. He became very much alarmed, and was afraid of losing his
head. He tried to conciliate the duke, but finding it difficult he
resolved to turn monk, and so went to the convent of Capuchins, and
begged hard to be admitted a member. They refused him on account of his
age and infirmities. He tried a Franciscan monastery with not much
better success, and then obeyed orders and went to his Burgundy mansion;
having been assured by Farnese that he was not to lose his head.
Alexander was satisfied with that arrangement, feeling sure, he said,
that so soon as his back was turned Champagny would come out of his
convent before the term of probation had expired, and begin to make
mischief again. A once valiant soldier, like Champagny, whose conduct in
the famous "fury of Antwerp" was so memorable; and whose services both in
field and-cabinet had, been so distinguished, fallen so low as to, be
used as a tool by the Mansfelds against a man like Farnese; and to be
rejected as unfit company by Flemish friars, is not a cheerful spectacle
to contemplate.

The walls of the Mansfeld house and gardens, too, were decorated by Count
Charles with caricatures, intending to illustrate the indignities put
upon his father: and himself.

Among others, one picture represented Count Peter lying tied hand and
foot, while people were throwing filth upon him; Count Charles being
pourtrayed as meantime being kicked away from the command of a battery
of cannon by, De la Motte. It seemed strange that the Mansfelds should,
make themselves thus elaborately ridiculous, in order to irritate
Farnese; but thus it was. There was so much stir, about these works of
art that Alexander transmitted copies of them to the king, whereupon