Life and Death of John of Barneveld, Advocate of Holland : with a view of the primary causes and movements of the Thirty Years' War, 1610a by John Lothrop Motley
page 32 of 44 (72%)
page 32 of 44 (72%)
|
flambeaux were glancing, loud voices, martial music, discharge of pistols
and even of artillery were heard together with the trampling of many feet, but there was nothing much resembling the wild revelry or cheerful mummery of that holiday season. A throng of the great nobles of Belgium with drawn swords and menacing aspect were assembled in the chief apartments, a detachment of the Archduke's mounted body-guard was stationed in the courtyard, and five hundred halberdiers of the burgher guilds kept watch and ward about the palace. The Prince of Conde, a square-built, athletic young man of middle stature, with regular features, but a sulky expression, deepened at this moment into ferocity, was seen chasing the secretary of the French resident minister out of the courtyard, thwacking him lustily about the shoulders with his drawn sword, and threatening to kill him or any other Frenchman on the spot, should he show himself in that palace. He was heard shouting rather than speaking, in furious language against the King, against Coeuvres, against Berny, and bitterly bewailing his misfortunes, as if his wife were already in Paris instead of Brussels. Upstairs in her own apartment which she had kept for some days on pretext of illness sat the Princess Margaret, in company' of Madame de Berny, wife of the French minister, and of the Marquis de Coeuvres, Henry's special envoy, and a few other Frenchmen. She was passionately fond of dancing. The adoring cardinal described her as marvellously graceful and perfect in that accomplishment. She had begged her other adorer, the Marquis Spinola, "with sweetest words," that she might remain a few days longer in the Nassau Palace before removing to the Archduke's residence, and that the great general, according to the custom in France and Flanders, would be the one to present her with the violins. But Spinola, knowing the artifice concealed beneath these "sweetest words," had |
|