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The Age of Fable by Thomas Bulfinch
page 9 of 1228 (00%)
[Footnote: Wordsworth]

It is an additional recommendation of our subject, that it tends
to cherish in our minds the idea of the source from which we
sprung. We are entitled to our full share in the glories and
recollections of the land of our forefathers, down to the time of
colonization thence. The associations which spring from this
source must be fruitful of good influences; among which not the
least valuable is the increased enjoyment which such associations
afford to the American traveller when he visits England, and sets
his foot upon any of her renowned localities.

The legends of Charlemagne and his peers are necessary to complete
the subject.

In an age when intellectual darkness enveloped Western Europe, a
constellation of brilliant writers arose in Italy. Of these, Pulci
(born in 1432), Boiardo (1434), and Ariosto (1474) took for their
subjects the romantic fables which had for many ages been
transmitted in the lays of bards and the legends of monkish
chroniclers. These fables they arranged in order, adorned with the
embellishments of fancy, amplified from their own invention, and
stamped with immortality. It may safely be asserted that as long
as civilization shall endure these productions will retain their
place among the most cherished creations of human genius.

In "Stories of Gods and Heroes," "King Arthur and His Knights" and
"The Mabinogeon" the aim has been to supply to the modern reader
such knowledge of the fables of classical and mediaeval literature
as is needed to render intelligible the allusions which occur in
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