Evolution of Expression — Volume 1 by Charles Wesley Emerson
page 48 of 131 (36%)
page 48 of 131 (36%)
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though attracted by his sunny heart. There he stood working at his
anvil, his face radiant with exercise and gladness, his sleeves turned up, his wig pushed off his shining forehead--the easiest, freest, happiest man in all the world. 5. Beside him sat a sleek cat, purring and winking in the light, and falling every now and then into an idle doze, as from excess of comfort. The very locks that hung around had something jovial in their rust, and seemed like gouty gentlemen of hearty natures, disposed to joke on their infirmities. 6. There was nothing surly or severe in the whole scene. It seemed impossible that any of the innumerable keys could fit a churlish strong-box or a prison door. Storehouses of good things, rooms where there were fires, books, gossip, and cheering laughter-- these were their proper sphere of action. Places of distrust, and cruelty, and restraint they would have quadruple-locked forever. 7. Tink, tink, tink. No man who hammered on at a dull, monotonous duty could have brought such cheerful notes from steel and iron; none but a chirping, healthy, honest-hearted fellow, who made the best of everything and felt kindly towards everybody, could have done it for an instant. He might have been a coppersmith, and still been musical. If he had sat in a jolting wagon, full of rods of iron, it seemed as if he would have brought some harmony out of it. CHARLES DICKENS. HOME THOUGHTS, FROM ABROAD. |
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