The Duke's Prize; a Story of Art and Heart in Florence by Maturin Murray Ballou
page 148 of 249 (59%)
page 148 of 249 (59%)
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"Not but what I think your beauty sufficient to challenge
improvement-indeed, I prefer you as you used to be-but you are lovely enough to cause heart aches as it is." After some further conversation, Villani, saying it was time for Teresa to prepare for the opera, left her. No sooner did the door close, than loosening the rich masses of jetty hair which formed a veil around her and descended far below her waist, Teresa advanced to a large mirror, and without a shadow of vanity or a smile, gazed steadily at her reflection. Never had a glass shown a fairer face or form to the gazer. The image that met Teresa's glance was majestic, with a regal expression of countenance. A broad, but not too high brow, eyes dark as a raven's wing-no, they are only deep, golden brown, yet the long lashes and eyebrows of jet, together with the ever dilating pupil, give the impression that they are darker, a complexion of sunny olive, and locks which are certainly the hue of night; a form richly moulded and of perfect symmetry, from the exquisite head to the slippered foot, stood before her. Surely it was not a vision from which my lady had cause to turn in vexation, yet with an expression of scorn, and a bright flush apparently of shame, mounting to her cheek, she impatiently moved away, and commenced braiding up the rich tresses. Throwing a mantle on her shoulders, she descended to the carriage and was soon at the opera house. During the evening, in the midst of the performance, Teresa's eye lit for the first time on the nearest stage box. A mist overspread her eyes, her breath came hot and thick, a dizzy sense of overpowering fulness stole upon her, and when the time came for her |
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