The Duke's Prize; a Story of Art and Heart in Florence by Maturin Murray Ballou
page 49 of 249 (19%)
page 49 of 249 (19%)
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It is a masked ball that occupies the gay throng in the ducal
palace. That is to say, in accordance with a general custom of the times, those who please are masked until midnight, when, at the sound of the hour from the great throat of the bell, all masks are removed, and all disguises laid aside. Carlton as the successful protege of the Grand Duke, and Carlton the humble artist, was a very different person. He was the observed of all observers; and many a rich belle sought his side-nay, even leaned upon his arm, as he strolled through the gorgeous rooms of the palace. They were sufficiently disguised by their masks to remove any fear of personal recognition; and therefore, those who knew him not, save by the late scene of winning the prize, besought his escort for the dance-a piece of forwardness quite allowable during the masked part of the ball. Many were the eyes that were bent upon him; and more than one glance of jealousy was shot towards him by s young nobles, as they saw the belles drawn to his side. [SEE ENGRAVING.] Carlton was naturally graceful, dignified and handsome, and bore his new position as though he had ever filled it-now chatting gaily with this lady, now with that, but all the while striving to detect through the many disguises of dresses and masks, the one form that was to him all in all-the queen of his heart and his love, Signorina Florinda. He was himself unmasked, and wore a rich Grecian head-dress, a tunic of dark velvet, trimmed with rich ermine, and clasped close about the throat with checks of gold. His silken hose, and velvet shoes faced with silver thread, set off his fine limbs to perfection. A light, graceful dirk hung at his silver girdle, finishing a costume of great simplicity and beauty. On his right arm |
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