The Duke's Prize; a Story of Art and Heart in Florence by Maturin Murray Ballou
page 90 of 249 (36%)
page 90 of 249 (36%)
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Carlton had disrobed himself of coat and vest, and now stood before
his antagonist clothed only in his lower garments and linen. Petro laughingly told his companions that he could punish the Americano with his garments on, not deeming the task of sufficient weight to compel him to remove his tight-fitting upper garments. A few moments were passed in the usual guards and thrusts, when anon commenced the feint, the ward, as each grew warmer in the contest. It was evident to all at the outset that Carlton as well as Petro was master of his weapon. This much had surprised those who had supposed him not possessed of the least knowledge of the exercise. But Petro found him far more than a match for all his boasted skill and experience, but with great astonishment, he continued to exert himself to the utmost. It was a singular scene, that presented by the two combatants thus arraigned before each other in mortal combat. The Italian heated, his eyes and face swollen with excitement and passion, while his antagonist was as calm and unmoved in temper, as though he were fencing with the foils, and only for pleasure. It was a tragic scene, as evincing the brute nature to which man can bring himself. In the heat of the contest, Petro soon lost his temper, while Carlton, cool and collected, parried his wild and headlong thrusts with consummate skill; and at length, after showing him how fruitless were all his efforts to wound him, Carlton by a masterly movement disarmed his antagonist of his blade, at the same time striking the left hand of the Italian a blow with the flat of his sword that laid it bare to the bone! |
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