The Duke's Prize; a Story of Art and Heart in Florence by Maturin Murray Ballou
page 93 of 249 (37%)
page 93 of 249 (37%)
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reader, who should not look upon him inconsistently.
The critical reader may perhaps question the propriety of Carlton's wounding Petro at all, inasmuch as he is represented to be able to have defended himself with comparative ease from the heated and headstrong Italian's sword. In answer to this, we would say, that besides there being always the possibility of his being wounded by the enemy's sword, the very fact of his returning to the fight when severely wounded, showed that Carlton had rightly judged of his character, its vindictive impulses, when he deemed both wounds necessary. He gave the second one unwillingly; and not one moment before he thought it absolutely necessary to do so; all those on the ground could have borne testimony that there was scarcely an instant of time that Carlton had not Petro's life at his command, if he had chosen to take it. "Why, Carlton," said a merry-faced Englishman, who had been his companion during the interview, and who was now walking with him down the mountain's side, "I could hardly believe my eyes to see thee such a master of thy weapon. How hast thou possibly attained to such extraordinary proficiency with the sword?" "You remember the little Frenchman, who lived so long with me?" asked Carlton. "He who had his snuff-box ever in his hand?" "That I do," said his companion; "and a merry, studious, jocund, lazy, cowardly and brave little fellow he was. In short, I believe there was no quality, however contradictory-good, bad, or indifferent-that he did not possess." |
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