in Lombardy by Bramante, for instance in S. Maria di Canepanuova at
Pavia, or by Dolcebuono in the Monastero Maggiore at Milan (see Pl.
CI No. 1 [C. A. 181b; 546b]; Pl. LXXXIV No. 10).

The few indications concerning palaces seem to prove that Leonardo
followed Alberti's example of decorating the walls with pilasters
and a flat rustica, either in stone or by graffitti (Pl. CII No. 1
and Pl. LXXXV No. 14).

By pointing out the analogies between Leonardo's architecture and
that of other masters we in no way pretend to depreciate his
individual and original inventive power. These are at all events
beyond dispute. The project for the Mausoleum (Pl. XCVIII) would
alone suffice to rank him among the greatest architects who ever
lived. The peculiar shape of the tower (Pl. LXXX), of the churches
for preaching (Pl. XCVII No. 1 and pages 56 and 57, Fig. 1-4), his
curious plan for a city with high and low level streets (Pl. LXXVII
and LXXVIII No. 2 and No. 3), his Loggia with fountains (Pl. LXXXII
No. 4) reveal an originality, a power and facility of invention for
almost any given problem, which are quite wonderful.

_In addition to all these qualities he propably stood alone in his
day in one department of architectural study,--his investigations,
namely, as to the resistance of vaults, foundations, walls and
arches._

_As an application of these studies the plan of a semicircular vault
(Pl. CIII No. 2) may be mentioned here, disposed so as to produce no
thrust on the columns on which it rests:_ volta i botte e non
ispignie ifori le colone. _Above the geometrical patterns on the