Pl. CII No. 1 (W. XVIII). A small portion of a facade of a palace
in two stories, somewhat resembling Alberti's Palazzo
Rucellai.--Compare with this Bramante's painted front of the Casa
Silvestri, and a painting by Montorfano in San Pietro in Gessate at
Milan, third chapel on the left hand side and also with Bramante's
palaces at Rome. The pilasters with arabesques, the rustica between
them, and the figures over the window may be painted or in
sgraffito. The original is drawn in red chalk.

Pl. LXXXI No. 1 (MS. Tr. 42). Sketch of a palace with battlements
and decorations, most likely graffiti; the details remind us of
those in the Castello at Vigevano._ [Footnote 1: _Count GIULIO
PORRO, in his valuable contribution to the_ Archivio Storico
Lombardo, Anno VIII, Fasc. IV (31 Dec. 1881): Leonardo da Vinci,
Libro di Annotazioni e Memorie, _refers to this in the following
note:_ "Alla pag. 41 vi e uno schizzo di volta ed accanto scrisse:
'il pilastro sara charicho in su 6' e potrebbe darsi che si
riferisse alla cupola della chiesa delle Grazie tanto piu che a
pag. 42 vi e un disegno che rassomiglia assai al basamento che oggi
si vede nella parte esterna del coro di quella chiesa." _This may
however be doubted. The drawing, here referred to, on page 41 of the
same manuscript, is reproduced on Pl. C No. 4 and described on page
61 as being a study for the cupola of the Duomo of Milan._ J. P. R.]

_MS. Mz. 0", contains a design for a palace or house with a loggia
in the middle of the first story, over which rises an attic with a
Pediment reproduced on page 67. The details drawn close by on the
left seem to indicate an arrangement of coupled columns against the
wall of a first story.