will discover that the Doctor is not merely a
peg on whom to hang exciting and various
adventures but that he is himself a man of original
and lively character. He is a very kindly,
generous man, and anyone who has ever written
stories will know that it is much more difficult
to make kindly, generous characters interesting
than unkindly and mean ones. But Dolittle is
interesting. It is not only that he is quaint but
that he is wise and knows what he is about. The
reader, however young, who meets him gets very
soon a sense that if he were in trouble, not
necessarily medical, he would go to Dolittle and ask
his advice about it. Dolittle seems to extend
his hand from the page and grasp that of his
reader, and I can see him going down the
centuries a kind of Pied Piper with thousands of
children at his heels. But not only is he a
darling and alive and credible but his creator has
also managed to invest everybody else in the
book with the same kind of life.

Now this business of giving life to animals,
making them talk and behave like human
beings, is an extremely difficult one. Lewis Carroll
absolutely conquered the difficulties, but I
am not sure that anyone after him until Hugh
Lofting has really managed the trick; even in
such a masterpiece as "The Wind in the Willows"
we are not quite convinced. John Dolittle's