Plays by August Strindberg: Creditors. Pariah. by August Strindberg
page 21 of 111 (18%)
page 21 of 111 (18%)
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alone. At first her freedom seemed rather pleasant. Then came a
sense of vacancy, for I presume she was pretty empty when she had lived by herself for a fortnight. Then he appeared, and by and by the vacancy was filled up. By comparison the absent one seemed to fade out, and for the simple reason that he was at a distance--you know the law about the square of the distance? But when they felt their passions stirring, then came fear--of themselves, of their consciences, of him. For protection they played brother and sister. And the more their feelings smacked of the flesh, the more they tried to make their relationship appear spiritual. ADOLPH. Brother and sister? How could you know that? GUSTAV. I guessed it. Children are in the habit of playing papa and mamma, but when they grow up they play brother and sister--in order to hide what should be hidden!--And then they took the vow of chastity--and then they played hide-and-seek--until they got in a dark corner where they were sure of not being seen by anybody. [With mock severity] But they felt that there was ONE whose eye reached them in the darkness--and they grew frightened-- and their fright raised the spectre of the absent one--his figure began to assume immense proportions--it became metamorphosed: turned into a nightmare that disturbed their amorous slumbers; a creditor who knocked at all doors. Then they saw his black hand between their own as these sneaked toward each other across the table; and they heard his grating voice through that stillness of the night that should have been broken only by the beating of their own pulses. He did not prevent them from possessing each other but he spoiled their happiness. And when they became aware of his invisible interference with their happiness; when they took |
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