In came a fiddler with a music book, and went up to the lofty desk and
made an orchestra of it and tuned like fifty stomach-aches. In came
Mrs. Fezziwig, one vast substantial smile. In came the three Misses
Fezziwig, beaming and lovable. In came the six followers whose hearts
they broke. In came all the young men and women employed in the
business. In came the housemaid with her cousin the baker. In came the
cook with her brother's particular friend the milkman. In came the boy
from over the way, who was suspected of not having board enough from
his master, trying to hide himself behind the girl from next door but
one who was proved to have had her ears pulled by her mistress; in they
all came, anyhow and everyhow. Away they all went, twenty couple at
once; hands half round and back again the other way; down the middle
and up again; round and round in various stages of affectionate
grouping, old top couple always turning up in the wrong place; new top
couple starting off again, as soon as they got there; all top couples
at last, and not a bottom one to help them.

When this result was brought about the fiddler struck up "Sir Roger de
Coverley." Then old Fezziwig stood out to dance with Mrs. Fezziwig. Top
couple, too, with a good stiff piece of work cut out for them; three or
four and twenty pairs of partners; people who were not to be trifled
with; people who would dance and had no notion of walking.

But if they had been thrice as many--oh, four times as many--old
Fezziwig would have been a match for them, and so would Mrs. Fezziwig.
As to her, she was worthy to be his partner in every sense of the term.
If that's not high praise, tell me higher and I'll use it. A positive
light appeared to issue from Fezziwig's calves. They shone in every
part of the dance like moons. You couldn't have predicted at any given