shone from under strongly marked, prominent and mobile eyebrows,
indicated a mixture of Celtic blood. The face was large and roughly
hewn, and when in repose had no other beauty than such as belongs to an
expression of good-humoured honest intelligence.

It is clear at a glance that the next workman is Adam's brother. He is
nearly as tall; he has the same type of features, the same hue of hair
and complexion; but the strength of the family likeness seems only to
render more conspicuous the remarkable difference of expression both in
form and face. Seth's broad shoulders have a slight stoop; his eyes
are grey; his eyebrows have less prominence and more repose than his
brother's; and his glance, instead of being keen, is confiding and
benign. He has thrown off his paper cap, and you see that his hair is
not thick and straight, like Adam's, but thin and wavy, allowing you
to discern the exact contour of a coronal arch that predominates very
decidedly over the brow.

The idle tramps always felt sure they could get a copper from Seth; they
scarcely ever spoke to Adam.

The concert of the tools and Adam's voice was at last broken by Seth,
who, lifting the door at which he had been working intently, placed
it against the wall, and said, "There! I've finished my door to-day,
anyhow."

The workmen all looked up; Jim Salt, a burly, red-haired man known as
Sandy Jim, paused from his planing, and Adam said to Seth, with a sharp
glance of surprise, "What! Dost think thee'st finished the door?"

"Aye, sure," said Seth, with answering surprise; "what's awanting to't?"