th' churchyard, an' thee not to follow me. I shanna rest i' my grave
if I donna see thee at th' last; an' how's they to let thee know as I'm
a-dyin', if thee't gone a-workin' i' distant parts, an' Seth belike gone
arter thee, and thy feyther not able to hold a pen for's hand shakin',
besides not knowin' where thee art? Thee mun forgie thy feyther--thee
munna be so bitter again' him. He war a good feyther to thee afore he
took to th' drink. He's a clever workman, an' taught thee thy trade,
remember, an's niver gen me a blow nor so much as an ill word--no,
not even in 's drink. Thee wouldstna ha' 'm go to the workhus--thy own
feyther--an' him as was a fine-growed man an' handy at everythin' amost
as thee art thysen, five-an'-twenty 'ear ago, when thee wast a baby at
the breast."

Lisbeth's voice became louder, and choked with sobs--a sort of wail,
the most irritating of all sounds where real sorrows are to be borne and
real work to be done. Adam broke in impatiently.

"Now, Mother, don't cry and talk so. Haven't I got enough to vex me
without that? What's th' use o' telling me things as I only think too
much on every day? If I didna think on 'em, why should I do as I do, for
the sake o' keeping things together here? But I hate to be talking where
it's no use: I like to keep my breath for doing i'stead o' talking."

"I know thee dost things as nobody else 'ud do, my lad. But thee't
allays so hard upo' thy feyther, Adam. Thee think'st nothing too much
to do for Seth: thee snapp'st me up if iver I find faut wi' th' lad. But
thee't so angered wi' thy feyther, more nor wi' anybody else."

"That's better than speaking soft and letting things go the wrong way,
I reckon, isn't it? If I wasn't sharp with him he'd sell every bit o'