Characters of Shakespeare's Plays by William Hazlitt
page 30 of 332 (09%)
page 30 of 332 (09%)
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exaggerated, if not ridiculous. If he was wrong, what has been said
may perhaps account for his being so, without detracting from his ability and judgement in other things. It is proper to add, that the account of the MIDSUMMER NIGHT'S DREAM has appeared in another work. April 15, 1817 CYMBELINE CYMBELINE is one of the most delightful of Shakespeare's historical plays. It may be considered as a dramatic romance, in which the most striking parts of the story are thrown into the form of a dialogue, and the intermediate circumstances are explained by the different speakers, as occasion renders it necessary. The action is less concentrated in consequence; but the interest becomes more aerial and refined from the principle of perspective introduced into the subject by the imaginary changes of scene as well as by the length of time it occupies. The reading of this play is like going [on?] a journey with some uncertain object at the end of it, and in which the suspense is kept up and heightened by the long intervals between each action. Though the events are scattered over such an extent of surface, and relate to such a variety of characters, yet the links which bind the different interests of the story together are never |
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