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Characters of Shakespeare's Plays by William Hazlitt
page 91 of 332 (27%)
that which is low still lower, and to make wretches desperate: to
exalt magistrates into kings, kings into gods; to degrade subjects
to the rank of slaves, and slaves to the condition of brutes. The
history of mankind is a romance, a mask, a tragedy, constructed upon
the principles of POETICAL JUSTICE; it is a noble or royal hunt, in
which what is sport to the few is death to the many, and in which
the spectators halloo and encourage the strong to set upon the weak,
and cry havoc in the chase, though they do not share in the spoil.
We may depend upon it that what men delight to read in books, they
will put in practice in reality.

One of the most natural traits in this play is the difference of the
interest taken in the success of Coriolanus by his wife and mother.
The one is only anxious for his honour; the other is fearful for his
life.

Volumnia. Methinks I hither hear your husband's drum:
I see him pluck Aufidius down by th' hair:
Methinks I see him stamp thus--and call thus--
Come on, ye cowards; ye were got in fear
Though you were born in Rome; his bloody brow
With his mail'd hand then wiping, forth he goes
Like to a harvest man, that's task'd to mow
Or all, or lose his hire.

Virgila. His bloody brow! Oh Jupiter, no blood.

Volumnia. Away, you fool; it more becomes a man
Than gilt his trophy. The breast of Hecuba,
When she did suckle Hector, look'd not lovelier
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