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Mosses from an Old Manse and other stories by Nathaniel Hawthorne
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him among its profounder lore. Airy figures, absolutely bodiless
ideas, and forms of unsubstantial beauty came and danced before
her, imprinting their momentary footsteps on beams of light.
Though she had some indistinct idea of the method of these
optical phenomena, still the illusion was almost perfect enough
to warrant the belief that her husband possessed sway over the
spiritual world. Then again, when she felt a wish to look forth
from her seclusion, immediately, as if her thoughts were
answered, the procession of external existence flitted across a
screen. The scenery and the figures of actual life were perfectly
represented, but with that bewitching, yet indescribable
difference which always makes a picture, an image, or a shadow so
much more attractive than the original. When wearied of this,
Aylmer bade her cast her eyes upon a vessel containing a quantity
of earth. She did so, with little interest at first; but was soon
startled to perceive the germ of a plant shooting upward from the
soil. Then came the slender stalk; the leaves gradually unfolded
themselves; and amid them was a perfect and lovely flower.

"It is magical!" cried Georgiana. "I dare not touch it."

"Nay, pluck it," answered Aylmer,--"pluck it, and inhale its
brief perfume while you may. The flower will wither in a few
moments and leave nothing save its brown seed vessels; but thence
may be perpetuated a race as ephemeral as itself."

But Georgiana had no sooner touched the flower than the whole
plant suffered a blight, its leaves turning coal-black as if by
the agency of fire.

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