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Mosses from an Old Manse and other stories by Nathaniel Hawthorne
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upon your cheek might be removed?"

"No, indeed," said she, smiling; but perceiving the seriousness
of his manner, she blushed deeply. "To tell you the truth it has
been so often called a charm that I was simple enough to imagine
it might be so."

"Ah, upon another face perhaps it might," replied her husband;
"but never on yours. No, dearest Georgiana, you came so nearly
perfect from the hand of Nature that this slightest possible
defect, which we hesitate whether to term a defect or a beauty,
shocks me, as being the visible mark of earthly imperfection."

"Shocks you, my husband!" cried Georgiana, deeply hurt; at first
reddening with momentary anger, but then bursting into tears.
"Then why did you take me from my mother's side? You cannot love
what shocks you!"

To explain this conversation it must be mentioned that in the
centre of Georgiana's left cheek there was a singular mark,
deeply interwoven, as it were, with the texture and substance of
her face. In the usual state of her complexion--a healthy though
delicate bloom--the mark wore a tint of deeper crimson, which
imperfectly defined its shape amid the surrounding rosiness. When
she blushed it gradually became more indistinct, and finally
vanished amid the triumphant rush of blood that bathed the whole
cheek with its brilliant glow. But if any shifting motion caused
her to turn pale there was the mark again, a crimson stain upon
the snow, in what Aylmer sometimes deemed an almost fearful
distinctness. Its shape bore not a little similarity to the human
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