Christmas next." In the next August Jonson was in collaboration
with Chettle and Porter in a play called "Hot Anger Soon Cold."
All this points to an association with Henslowe of some duration,
as no mere tyro would be thus paid in advance upon mere promise.
From allusions in Dekker's play, "Satiromastix," it appears that
Jonson, like Shakespeare, began life as an actor, and that he
"ambled in a leather pitch by a play-wagon" taking at one time the
part of Hieronimo in Kyd's famous play, "The Spanish Tragedy." By
the beginning of 1598, Jonson, though still in needy circumstances,
had begun to receive recognition. Francis Meres--well known for
his "Comparative Discourse of our English Poets with the Greek,
Latin, and Italian Poets," printed in 1598, and for his mention
therein of a dozen plays of Shakespeare by title --accords to Ben
Jonson a place as one of "our best in tragedy," a matter of some
surprise, as no known tragedy of Jonson from so early a date has
come down to us. That Jonson was at work on tragedy, however, is
proved by the entries in Henslowe of at least three tragedies, now
lost, in which he had a hand. These are "Page of Plymouth," "King
Robert II. of Scotland," and "Richard Crookback." But all of these
came later, on his return to Henslowe, and range from August 1599
to June 1602.

Returning to the autumn of 1598, an event now happened to sever for
a time Jonson's relations with Henslowe. In a letter to Alleyn,
dated September 26 of that year, Henslowe writes: "I have lost one
of my company that hurteth me greatly; that is Gabriel [Spencer],
for he is slain in Hogsden fields by the hands of Benjamin Jonson,
bricklayer." The last word is perhaps Henslowe's thrust at Jonson
in his displeasure rather than a designation of his actual
continuance at his trade up to this time. It is fair to Jonson to