entertainment, was free to receive them. The houses were easily found by
the stranger, as an appropriate emblem appeared over the door. This
emblem of Priapus was generally a carved figure, in wood or stone, and
was frequently painted to resemble nature more closely. The size ranged
from a few inches in length to about two feet. Numbers of these
beginnings in advertising have been recovered from Pompeii and
Herculaneum, and in one case an entire establishment, even to the
instruments used in gratifying unnatural lusts, was recovered intact.
In praise of our modern standards of morality, it should be said that it
required some study and thought to penetrate the secret of the proper use
of several of these instruments. The collection is still to be seen in
the Secret Museum at Naples. The mural decoration was also in proper
keeping with the object for which the house was maintained, and a few
examples of this decoration have been preserved to modern times; their
luster and infamous appeal undimmed by the passage of centuries.

Over the door of each cell was a tablet (titulus) upon which was the name
of the occupant and her price; the reverse bore the word "occupata" and
when the inmate was engaged the tablet was turned so that this word was
out. This custom is still observed in Spain and Italy. Plautus, Asin.
iv, i, 9, speaks of a less pretentious house when he says: "let her write
on the door that she is 'occupata.'" The cell usually contained a lamp
of bronze or, in the lower dens, of clay, a pallet or cot of some sort,
over which was spread a blanket or patch-work quilt, this latter being
sometimes employed as a curtain, Petronius, chap 7.

The arches under the circus were a favorite location for prostitutes;
ladies of easy virtue were ardent frequenters of the games of the circus
and were always ready at hand to satisfy the inclinations which the
spectacles aroused. These arcade dens were called "fornices," from which