The Satyricon — Volume 07: Marchena Notes by 20-66 Petronius Arbiter
page 9 of 37 (24%)
page 9 of 37 (24%)
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grandeur of her art; such an one art thou, C-----, French Thalia, who
commands attentions, I do not say this by way of apology but to share the opinion of Alceste. A courtesan such as I have in mind may have all the public and private virtues. One knows the severe probity of Ninon, her generosity, her taste for the arts, her attachment to her friends. Epicharis, the soul of the conspiracy of Piso against the execrable Nero, was a courtesan, and the severe Tacitus, who cannot be taxed with a partiality for gallantry, has borne witness to the constancy with which she resisted the most seductive promises and endured the most terrible tortures, without revealing any of the details of the conspiracy or any of the names of the conspirators. These facts should be recognized above that ascetic moral idea which consists of the sovereign virtue of abstinence in defiance of nature's commands and which places weakness in these matters along with the most odious crimes. Can one see without indignation Suetonius' reproach of Caesar for his gallantries with Servilia, with Tertia, and other Roman ladies, as a thing equal to his extortions and his measureless ambitions, and praising his warlike ardor against peoples who had never furnished room for complaint to Rome? The source of these errors was the theory of emanations. The first dreamers, who were called philosophers imagined that matter and light were co-eternal; they supposed that was all one unformed and tenebrous mass; and from the former they established the principle of evil and of all imperfection, while they regarded the latter as sovereign perfection. Creation, or, one might better say co-ordination, was only the emanation of light which penetrated chaos, but the mixture of light and matter was the cause of all the inevitable imperfections of the universe. The soul of man was part and parcel of |
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