William the Silent against the Spanish. Jonson was a large and
raw-boned lad; he became by his own account in time exceedingly
bulky. In chat with his friend William Drummond of Hawthornden,
Jonson told how "in his service in the Low Countries he had, in the
face of both the camps, killed an enemy, and taken 'opima spolia'
from him;" and how "since his coming to England, being appealed to
the fields, he had killed his adversary which had hurt him in the
arm and whose sword was ten inches longer than his." Jonson's
reach may have made up for the lack of his sword; certainly his
prowess lost nothing in the telling. Obviously Jonson was brave,
combative, and not averse to talking of himself and his doings.

In 1592, Jonson returned from abroad penniless. Soon after he
married, almost as early and quite as imprudently as Shakespeare.
He told Drummond curtly that "his wife was a shrew, yet honest";
for some years he lived apart from her in the household of Lord
Albany. Yet two touching epitaphs among Jonson's 'Epigrams', "On
my first daughter," and "On my first son," attest the warmth of the
poet's family affections. The daughter died in infancy, the son of
the plague; another son grew up to manhood little credit to his
father whom he survived. We know nothing beyond this of Jonson's
domestic life.

How soon Jonson drifted into what we now call grandly "the
theatrical profession" we do not know. In 1593 Marlowe made his
tragic exit from life, and Greene, Shakespeare's other rival on the
popular stage, had preceded Marlowe in an equally miserable death
the year before. Shakespeare already had the running to himself.
Jonson appears first in the employment of Philip Henslowe, the
exploiter of several troupes of players, manager, and father-in-law