Travels in England in 1782 by Karl Philipp Moritz
page 28 of 185 (15%)
page 28 of 185 (15%)
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If you look at this painting with attention, for any length of time,
it affects you so much that you even shed tears. The expression of the greatest distress, even bordering on despair, on the part of the besieged, the fearful expectation of the uncertain issue, and what the victor will determine concerning those unfortunate people, may all be read so plainly, and so naturally in the countenances of the inhabitants, who are imploring for mercy, from the hoary head to the suckling whom his mother holds up, that you quite forget yourself, and in the end scarcely believe it to be a painting before you. You also here find the busts of the best English authors, placed all round on the sides. Thus a Briton again meets with his Shakespeare, Locke, Milton, and Dryden in the public places of his amusements; and there also reveres their memory. Even the common people thus become familiar with the names of those who have done honour to their nation; and are taught to mention them with veneration. For this rotunda is also an orchestra in which the music is performed in rainy weather. But enough of Vauxhall! Certain it is that the English classical authors are read more generally, beyond all comparison, than the German; which in general are read only by the learned; or, at most, by the middle class of people. The English national authors are in all hands, and read by all people, of which the innumerable editions they have gone through are a sufficient proof. My landlady, who is only a tailor's widow, reads her Milton; and tells me, that her late husband first fell in love with her on this very account: because she read Milton with such proper emphasis. This single instance, perhaps, would prove but little; but I have |
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