photographs of his daughter, her husband, and two fat-legged babies
--his grandchildren--set in black frames into the maplewood bulkheads
of the cuddy. After breakfast he dusted the glass over these portraits
himself with a cloth, and brushed the oil painting of his wife with a
plumate kept suspended from a small brass hook by the side of the heavy
gold frame. Then with the door of his stateroom shut, he would sit down
on the couch under the portrait to read a chapter out of a thick pocket
Bible--her Bible. But on some days he only sat there for half an hour
with his finger between the leaves and the closed book resting on his
knees. Perhaps he had remembered suddenly how fond of boat-sailing she
used to be.

She had been a real shipmate and a true woman too. It was like an
article of faith with him that there never had been, and never could be,
a brighter, cheerier home anywhere afloat or ashore than his home under
the poop-deck of the Condor, with the big main cabin all white and gold,
garlanded as if for a perpetual festival with an unfading wreath. She
had decorated the center of every panel with a cluster of home flowers.
It took her a twelvemonth to go round the cuddy with this labor of love.
To him it had remained a marvel of painting, the highest achievement of
taste and skill; and as to old Swinburne, his mate, every time he
came down to his meals he stood transfixed with admiration before the
progress of the work. You could almost smell these roses, he declared,
sniffing the faint flavor of turpentine which at that time pervaded the
saloon, and (as he confessed afterwards) made him somewhat less hearty
than usual in tackling his food. But there was nothing of the sort to
interfere with his enjoyment of her singing. "Mrs. Whalley is a regular
out-and-out nightingale, sir," he would pronounce with a judicial air
after listening profoundly over the skylight to the very end of the
piece. In fine weather, in the second dog-watch, the two men could hear