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Knights of the Art; stories of the Italian painters by Amy Steedman
page 126 of 216 (58%)
lute and learned how to play upon it. And when he
had mastered the notes and learned the rules of
music, he began to play airs which no one had ever
heard before, and to sing such strange sweet songs
that the golden notes flowed out as fresh and clear
as the song of a lark in the early morning of spring.

`The child is a changeling,' said some, as they
saw Leonardo tenderly lift a crushed lizard in his
hand, or watched him play with a spotted snake or
great hairy spider.

`A changeling perhaps,' said others, `but one that
hath the voice of an angel.' For every one stopped
to listen when the boy's voice was heard singing
through the streets of the little town.

He was a puzzle to every one, and yet a delight
to all, even when they understood him least.

So time went on, and when Leonardo was thirteen
his father took him away to Florence that he might
begin to be trained for some special work. But
what work? Ah! that was the rub. The boy
could do so many things well that it was difficult to
fix on one.

At that time there was living in Florence an old
man who knew a great deal about the stars, and who
made wonderful calculations about them. He was
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