Knights of the Art; stories of the Italian painters by Amy Steedman
page 126 of 216 (58%)
page 126 of 216 (58%)
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lute and learned how to play upon it. And when he
had mastered the notes and learned the rules of music, he began to play airs which no one had ever heard before, and to sing such strange sweet songs that the golden notes flowed out as fresh and clear as the song of a lark in the early morning of spring. `The child is a changeling,' said some, as they saw Leonardo tenderly lift a crushed lizard in his hand, or watched him play with a spotted snake or great hairy spider. `A changeling perhaps,' said others, `but one that hath the voice of an angel.' For every one stopped to listen when the boy's voice was heard singing through the streets of the little town. He was a puzzle to every one, and yet a delight to all, even when they understood him least. So time went on, and when Leonardo was thirteen his father took him away to Florence that he might begin to be trained for some special work. But what work? Ah! that was the rub. The boy could do so many things well that it was difficult to fix on one. At that time there was living in Florence an old man who knew a great deal about the stars, and who made wonderful calculations about them. He was |
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