Knights of the Art; stories of the Italian painters by Amy Steedman
page 33 of 216 (15%)
page 33 of 216 (15%)
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What trouble his mother must have had with
him when he was a boy! It was no use sending him on an errand, he would forget it before he had gone a hundred yards, and he was so careless and untidy that it was enough to make any one lose patience with him. But only let him have a pencil and a smooth surface on which to draw, and he was a different boy. It is said that even now, in the little town of Castello San Giovanni, some eighteen miles from Florence, where Tommaso was born, there are still some wonderfully good figures to be seen, drawn by him when he was quite a little boy. Certainly there was no carelessness and nothing untidy about his work. As the boy grew older all his longings would turn towards Florence, the beautiful city where there was everything to learn and to see, and so he was sent to become a pupil in the studio of Masolino, a great Florentine painter. But though his drawings improved, his careless habits continued the same. `There goes Tommaso the painter,' the people would say, watching the big awkward figure passing through the streets on his way to work. `Truly he pays but little heed to his appearance. Look but at his untidy hair and the holes in his boots.' |
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