Knights of the Art; stories of the Italian painters by Amy Steedman
page 39 of 216 (18%)
page 39 of 216 (18%)
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But there were no processions to-day, and there
remained only one thing to be done. He must go home and see if Mona Lapaccia had anything to spare. Perhaps the saints took notice when he was hungry. Down the street he ran, keeping close to the wall, just as the dogs do when it rains. For the great overhanging eaves of the houses act as a sheltering umbrella. Then out into the broad street that runs beside the river, where, even in winter, the sun shines warmly if it shines anywhere. Filippo paused at the corner of the Ponte alla Carraja to watch the struggles of a poor mule which was trying to pull a huge cartload of wood up the steep incline of the bridge. It was so exciting that for a moment he forgot how cold and hungry he was, as he shouted and screamed directions with the rest of the crowd, darted in and out in his eagerness to help, and only got into every one's way. That excitement over, Filippo felt in better spirits and ran quickly across the bridge. He soon threaded his way to a poor street that led towards one of the city gates, where everything looked dirtier and more cheerless than ever. He had not expected a welcome, and he certainly did not get one, as, after climbing the steep stairs, he cautiously pushed open the door and peeped in. |
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