Knights of the Art; stories of the Italian painters by Amy Steedman
page 43 of 216 (19%)
page 43 of 216 (19%)
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Then, indeed, began happy days for Filippo. No more threadbare coats, but a warm little brown serge robe, tied round the waist with a rope whose ends grew daily shorter as the way round his waist grew longer. No more lupin skins and whiffs of fried polenta, but food enough and to spare; such food as he had not dreamt of before, and always as much as he could eat. Filippo was as happy as the day was long. He had always been a merry little soul even when life had been hard and food scarce, and now he would not have changed his lot with the saints in Paradise. But the good brothers began to think it was time Filippo should do something besides play and eat. `Let us see what the child is fit for,' they said. So Filippo was called in to sit on the bench with the boys and learn his A B C. That was dreadfully dull work. He could never remember the names of those queer signs. Their shapes he knew quite well, and he could draw them carefully in his copy- book, but their names were too much for him. And as to the Latin which the good monks tried to teach him, they might as well have tried to teach a monkey. |
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