Knights of the Art; stories of the Italian painters by Amy Steedman
page 46 of 216 (21%)
page 46 of 216 (21%)
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to draw the delicate pictures and letters for the
convent prayer-books. This was a different kind of lesson, indeed. Filippo's eyes shone with eagerness as he bent over his work and tried to copy the beautiful lines and curves which the master set for him. There were other boys in the class as well, and Filippo looked at their work with great admiration. One boy especially, who was bigger than Filippo, and who had a kind merry face, made such beautiful copies that Filippo always tried to sit next him if possible. Very soon the boys became great friends. Diamante, as the elder boy was called, was pleased to be admired so much by the little new pupil; but as time went on, his pride in his own work grew less as he saw with amazement how quickly Filippo's little brown fingers learned to draw straighter lines and more beautiful curves than any he could manage. Brother Anselmo, too, would watch the boy at work, and his saintly old face beamed with pleasure as he looked. `He will pass us all, and leave us far behind, this child who is too stupid to learn his A B C,' he would say, and his face shone with unselfish joy. Then when the boys grew older, they were |
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