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Knights of the Art; stories of the Italian painters by Amy Steedman
page 53 of 216 (24%)
and his companions were hoisted up on board the
galley.

It was all so sudden that it seemed like a dream.
But the chains were very real that were fastened
round their wrists and ankles, and the dark cruel
faces of the Moors as they looked on smiling at
their misery were certainly no dream.

Then followed long days of misery when the new
slaves toiled at the oars under the blazing sun, and
nights of cold and weariness. Many a time did
Filippo long for the quiet convent, the kindly
brothers, and the long peaceful days. Many a time
did he long to hear the bells calling him to prayer,
which had once only filled him with restless
impatience.

But at last the galley reached the coast of Barbary,
and the slaves were unchained from the oars and
taken ashore. In all his misery Filippo's keen eyes
still watched with interest the people around him,
and he was never tired of studying the swarthy
faces and curious garments of the Moorish pirates.

Then one day when he happened to be near
a smooth white wall, he took a charred stick from
a fire which was built close by, and began to draw
the figure of his master.

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